Ultimate bias: memorabilia, k-pop and fandom identities

• Tipo: Artigo em Revista Científica Nacional
• Data: 2021-10

Autores

Guerra, Paula (Autor) FLUP; Sousa, Sofia (Autor) FLUP

Revista

Título: Cidades, comunidades e territórios

Nº de Série Autumn Special Issue

Páginas: 1-25

ISSN: 2182-3030

Editora: DINÂMIA'CET-ISCTE

Indexação

Scopus

DOAJ

Google Scholar

Latindex

SHERPA/RoMEO

RCAAP

SciELO - Scientific Electronic Library Online

EBSCO

Classificação Científica

CORDIS: Ciências Sociais

Outras Informações

DOI: 10.15847/cct.23948

Abstract (EN): This article puts forward a sustained approach in the perception of the processes of construction of – individual and collective – meanings and identities in relation to the musical (sub)genre Kpop. Thus, contrary to the logic that emphasizes the loss of relevance of the CD, we tried to demonstrate that – as an object of memorabilia and musical consumption – it remains alive within the K-pop culture. In fact, not only the CD, but also other memorabilia items that emphasize the creation of visual and identity narratives, in the sense that they are seen as a means to establish, maintain and cement a relationship with the idol. Thus, in parallel to the fact that K-pop, as a musical genre, has a global character, it also highlights individual, regional and local aspects, mainly due to the variety of products that are produced, following a personalisation logic at the same time as we are facing a mass selling process. Thus, through the use of a qualitative methodology (Guerra, 2021; Pink, 2020), we intend to analyze the memorabilia items of seven Portuguese K-pop fans, in order to perceive the processes of identity creation, but also to denote the symbologies and meanings that are built around the items.

Idioma: Inglês

Tipo (Avaliação Docente): Científica