Classical Theatre
Keywords |
Classification |
Keyword |
OFICIAL |
Classical Studies |
Instance: 2024/2025 - 1S
Cycles of Study/Courses
Acronym |
No. of Students |
Study Plan |
Curricular Years |
Credits UCN |
Credits ECTS |
Contact hours |
Total Time |
LEI |
41 |
Study plan |
2 |
- |
6 |
41 |
162 |
Teaching Staff - Responsibilities
Teaching language
Portuguese
Objectives
To draw a panoramic view of ancient theatre, Greek and Roman, and its context;
To present the ancient theatre as a show intended to be presented on stage and to know its performative dimension;
To draw a panoramiv view of the influence of ancient theatre until the present.
Learning outcomes and competences
At the end of the semester, students should be able to:
Have a broad and solid panoramic view of Greek and Roman theatre and its context;
Autonomously deepen their research on ancient theatre and its reception;
Know the fundamental chatacteristics of ancien tragedy ans comedy and how each genre has evolved;
Identify the authors of ancient drama and place them in the context of Greek and Roman literature;
Recognize the performative dimension of ancient theatre and critically analyse these works in this wider artistic dimension;
Produce a critical discourse on the works studied and on some of the more influential ionterpretations dedicated to them over time;
Recognize Greek and Roman theatre as matrix, explicit or subliminal, of European theatre.
Working method
Presencial
Program
1. Greek theatre.
1.1. Birth.
1.2. Dionysiac Festivals: civic, religious and cultural context.
1.3. Greek drama: tragedy, comedy, satyr play.
1.4. Theatre as performance.
1.4.1. Audience.
1.4.2. Actors and Chorus.
1.4.3. Masks and props.
1.4.4. Space and movement.
1.5. In search of the tragic: the many faces of tragedy.
1.5.1. Aeschylus, Sophocles, Euripides: permanence and evolution of a genre.
1.6. Comedy and tragedy: a shared space.
1.6.1. Between laughter and the education of the polis: Aristophanes' comedy.
1.6.2. Domestic space in New Comedy: Menander.
2. Roman theatre.
2.1. Theatrical performance in Rome.
2.1.1. Audience.
2.1.2. Actors.
2.1.3. Space, props, movement.
2.2. The comedy of Palutus and Terence.
2.3. Seneca's tragedy.
3. Ancient theatre over time: reception, appropriation, reinvention, reaction.
Mandatory literature
Castiajo, Isabel; O teatro grego em contexto de representação, Imprensa da Universidade de Coimbra, 2012
Frangoulidis, S.; Harrison, S.J.; Manuwald, S. (eds.); Roman Drama and its Context, De Gruyter, 2016
Hall, Edith; Greek Tragedy. Suffering under the Sun, Oxford University Press, 2010
Harrison, G.W.M.; Liapis, V. (eds.); Performance in Greek and Roman Theatre, Brill, 2013
McDonald, M; Walton, J.M. (eds.); The Cambridge Companion to Greek and Roman Theatre, Cambridge University Press, 2007
Mueller, Melissa; Objects as Actors. Props and the Poetics of Performance in Greek Tragedy, The University of Chicago Press, 2016
Petrides, A.K.; Menander. New Comedy and the Visual, Cambridge University Press, 2004
Raeburn, David; Greek Tragedies as Plays for Performance, Wiley - Blackwell, 2017
Serra, José Pedro; Pensar o trágico, Abysmo, 2020
Silva, Maria de Fátima Sousa e; Crítica de teatro na comédia antiga, Fundação Calouste Gulbenkian, 1997
Swift, Laura; Greek Tragedy. Themes and Contexts, Bloomsbury, 2016
Teaching methods and learning activities
Presential.
Theoritical exposition of the syllabus contents.
Analysis and interpretation, on class, of some selected works, with open participation of all students (sometimes with previous preparation, sometimes without).
keywords
Humanities > Literature > European literature
Evaluation Type
Distributed evaluation with final exam
Assessment Components
Designation |
Weight (%) |
Exame |
40,00 |
Prova oral |
20,00 |
Teste |
40,00 |
Total: |
100,00 |
Amount of time allocated to each course unit
Designation |
Time (hours) |
Estudo autónomo |
121,00 |
Frequência das aulas |
41,00 |
Total: |
162,00 |
Eligibility for exams
Attending 75% of classes, unless established otherwise by law.
Calculation formula of final grade
Written test and/or exam: 80% (40% + 40%). Oral presentation /oral exam: 20%
Special assessment (TE, DA, ...)
Students with special status may take a written exam on the additional dates provided for this purpose. This exam may include a subsequent oral exam (mandatory if students have not attended classes throughout the semester).
Students in this situation should contact the professor in advance to prepare their assessment process in due time.
Classification improvement
Only the written evaluation can be improved by an exam.