Texts from World Literature I
Keywords |
Classification |
Keyword |
OFICIAL |
Comparative Literature |
Instance: 2024/2025 - 1S
Cycles of Study/Courses
Acronym |
No. of Students |
Study Plan |
Curricular Years |
Credits UCN |
Credits ECTS |
Contact hours |
Total Time |
LEI |
50 |
Study plan |
1 |
- |
6 |
41 |
162 |
Teaching Staff - Responsibilities
Teaching - Hours
Type |
Teacher |
Classes |
Hour |
Theoretical and practical |
Totals |
1 |
2,50 |
Maria Del Pilar Nicolás Martínez |
|
0,50 |
Rui Manuel Gomes Carvalho Homem |
|
1,00 |
Zulmira da Conceição Trigo Gomes Marques Coelho Santos |
|
0,50 |
Maria de Fátima da Costa Outeirinho |
|
0,50 |
Tutorial Supervision |
Totals |
1 |
0,50 |
Maria de Fátima da Costa Outeirinho |
|
0,12 |
Maria Del Pilar Nicolás Martínez |
|
0,12 |
Rui Manuel Gomes Carvalho Homem |
|
0,14 |
Zulmira da Conceição Trigo Gomes Marques Coelho Santos |
|
0,12 |
Teaching language
Portuguese
Objectives
The cultural centrality of the texts selected for this programme, and their origins in 4 major European languages and literary traditions, make this a particularly convincing space for achieving one of the key objective identified above: fostering a recognition of some of the processes that render certain texts canonical and inscribe them in literary memory. The sheer volume of the critical and literary-historical processing of these texts will also serve another objective: that of identifying traits that sustain an argument either for the singularity or typicality of said texts, in different contexts and temporal frameworks of their reception.
Learning outcomes and competences
Students will be encouraged to develop a basic understanding of the grounds on which certain canonical texts prove culturally and imaginatively consequential. Such an understanding will be based on their familiarity (likewise fostered by this course) both with general traits of literary history, and conceptual resources with which to process (academically, critically) the texts in question. As regards the literary-historical information, students will be trained to recognise a (verifiable) tension between a perceived singularity or typicality when a given canonical text is culturally valued, either in its original context or in the broader range of its reception elsewhere. As regards the conceptual / theoretical issues, students will be encouraged to recognise the operativity of notions such as canon and literary memory for a critical delineation of the conditions that privilege certain texts as objects to be read.
Working method
Presencial
Program
Introduction: World Literature, Canon, Literary Memory – key concepts.
1. Dante: «Commedia», «Divina commedia» - the temporal backdrop (1307- 1321), structure and cosmology.
1.1. Inferno, Purgatorio and Paradiso: thematic and narrative elements.
1.2. Allegorical journey and human condition: between a geography of sin and a framework for perfection.
2. William Shakespeare,
Hamlet
2.1. text and contexts;
2.2. tragic plot, protagonist: the foundations of a cultural centrality.
2.3. stage, page and new media.
3. Miguel de Cervantes,
Don Quijote de la Mancha
3.1. Composition and history;
3.2. Literature as the driving force for the plot in the Quijote narrative;
3.3. Narrative construction;
3.4. The main characters;
3.5. An overview of the Quijote reception history.
4. Molière,
Les Précieuses Ridicules
4.1. Molière and his century;
4.2. Les Précieuses Ridicules: text and contexts
4.3. Reading-cum-comentary of Les Précieuses Ridicules
4.4. Variations on the figure of the précieuse
Closing remarks: on the trans-historical and intercultural consequence of ‘major texts’.
Mandatory literature
Dante Alighieri;
La divina commedia. ISBN: 88-02-02638-6
William Shakespeare;
Hamlet. ISBN: 0-415-02683-0
Miguel de Cervantes;
El^ingenioso hidalgo Don Quijote de La Mancha. ISBN: 84--89592-15-2
Molière;
Les^precieuses ridicules. ISBN: 2-03-871669-2
Teaching methods and learning activities
In any of the modules that compose it, the programme will include expository moments, privileging informative components both of a literary-historical and conceptual nature, and moments aimed at student participation, focusing on critical discussion of the primary texts. The latter component will range from seminars to tutorials. This composite teaching approach will be matched by a mixed model of assessment (see below).
Evaluation Type
Distributed evaluation with final exam
Assessment Components
Designation |
Weight (%) |
Exame |
65,00 |
Prova oral |
35,00 |
Total: |
100,00 |
Amount of time allocated to each course unit
Designation |
Time (hours) |
Estudo autónomo |
120,00 |
Frequência das aulas |
42,00 |
Total: |
162,00 |
Eligibility for exams
1 final written test: 65%
2 scheduled individual oral discussion led by two of the course's teaching staff: 35%
Calculation formula of final grade
1 final written test: 65%
2 scheduled individual oral discussion led by two of the course's teaching staff: 35%
Special assessment (TE, DA, ...)
Students whose circumstances legally entitle them to 'special assessment', and find themselves unable to abide the regular calendar of assessment for the semester in question, should contact the course leader, who will inform them of available alternatives.
Classification improvement
Students may register for 'grade improvement' only as regards their 'final written test'.