Code: | LLC082 | Acronym: | LEB |
Keywords | |
---|---|
Classification | Keyword |
OFICIAL | Literature |
Active? | No |
Responsible unit: | Department of Portuguese and Romance Studies |
Course/CS Responsible: | Bachelor in Languages, Literatures and Cultures |
Acronym | No. of Students | Study Plan | Curricular Years | Credits UCN | Credits ECTS | Contact hours | Total Time |
---|---|---|---|---|---|---|---|
LLC | 0 | Study plan | 3 | - | 6 | 41 | 162 |
Study plan | 2 | - | 6 | 41 | 162 | ||
3 |
The main objectives of this course (UC) are:
-Provide students with access to the knowledge of seventeenth-century Spanish literature, with a strong focus on the transition between the Renaissance and Baroque.
-Situate and understand this literary period within the historical context of the 17th century, specially in Iberian Peninsula and Europe.
-Understand the main features of this literature: authors, genres, themes, aesthetics (particularly conceptismo).
-Critically analyse representative texts of the genres and of the most significant authors of this period.
All the contents of the syllabus are framed in order to allow students to achieve the objectives listed above, bearing in mind the development of the following skills and competences:
- Capacity to contextualise and relate the literary contents of this crucial period of Spanish literature to the historical, ideological and cultural setting of the seventeenth century, establishing links with the Renaissance period.
- To know hows to identify the mais caracteristics and contributions os Spanish literature (authors, literary genres, themes and aesthetics, particularly conceptivismo) for the literary, esthetic and cultural development in Europe;
- To provide students with the tools required for critical analysis, specially about authors ant texts in the syllabus, and to relating them with the literary and cultural context in that period.
-Miguel de Cervantes: the long novella Don Quijote de la Mancha and the exemplary short novellas «exemplary».
-Luis de Góngora
-Francisco de Quevedo
-Félix Lope de Vega
-Félix Lope de Vega
-Tirso de Molina
-Pedro Calderón de la Barca
This course involves theoretical and practical sessions where interactivity is fundamental. Classes will be taught in Portuguese and Spanish, and students can present papers, oral presentations and take Portuguese tests. They will also have support materials available in Sigarra.
The compulsory readings of this curricular unit are
- some passages from the Primera parte del ingenioso hidalgo don Quijote de La Mancha and two ejemplares novels by Miguel deCervantes (to be decided at the beginning of the semester according to the students' preferences)
-A selection of poems available on Sigarra
- Fuenteovejuna - Lope de Vega, La vida es sueño - Calderón de la Barca, or El burlador de Sevilla - Tirso de Molina
With the aim of allowing students to have a broad knowledge of 17th century Spanish Literature. The concept "Siglo de Oro" will be used as a starting point and connections between the Renaissance and the Baroque will be established, both at a cultural, socio-political, economic and religious level, and at an aesthetic level, through different artistic representations, favouring interactivity with the students and their critical and analytical spirit.
The concept of "baroque" and its reflection in the culture, literature and plastic arts of the 17th century will also be discussed. XVII, relating the artistic and literary phenomenon with the Spanish crisis of this historical period.
This will be followed by an approach to the main literary genres of the 17th century. XVII starting with some of the most influential and striking at the time: particularly the most universal novel of Spanish Literature: Don Quijote de La Mancha by Cervantes. The First part of the ingenious hidalgo don Quijote de La Mancha will be approached at a theoretical and practical level from the analysis of representative excerpts. This will be followed by an analysis of some of Cervantes' "novelas ejempalres", which had a strong impact on European literature (including Portuguese literature) in the 17th century and subsequent centuries.
This is followed by poetry, with special emphasis on the lyrical renewal of Góngora and a discussion of "gongorina" poetry, through the critical analysis of representative poems by Góngora, Quevedo and Lope de Vega.
Finally, the theatrical phenomenon in the Baroque will be studied: the creation of the "comedia nueva" by Lope de Vega, the "lopesque" theatre of Tirso de Molina and the improvement of Calderón de la Barca. Throughout the lessons we will comment on Fuenteovejuna, El burlador de Sevilla and La vida es sueño at a theoretical and practical level, analysing representative extracts.
This methodology will allow students to acquire solid theoretical knowledge and to apply it to the critical analysis of texts. In addition, their oral participation should enable them to broaden and strengthen their knowledge of "baroque" authors and works.
Designation | Weight (%) |
---|---|
Participação presencial | 20,00 |
Teste | 80,00 |
Total: | 100,00 |
Designation | Time (hours) |
---|---|
Estudo autónomo | 121,00 |
Frequência das aulas | 41,00 |
Total: | 162,00 |
The assessment is distributed throughout the semester without final exam and consists of three tests (one for each work analysed, with a global weight of 80%) to be held in class on dates agreed with the students, and oral participation in class with a total weight of 20% (may be replaced by an oral presentation on a literary work, a text or a bibliography to be presented until the end of the semester).
Student-workers are exempt from attending classes, as provided by law, but will have to take the same tests as the rest of their colleagues (adjusted to the conditions provided by the employer and agreed with the teacher at the beginning of the semester).
Students who have a negative mark in one of the tests may make up this component on the date of the final examination.
According to the law in force at FLUP.
As this is a course that only foresees distributed evaluation without final examination, the improvement of classification implies the realization of several tests foreseen in the evaluation criteria. Other situations will be submitted to the appreciation and decision of the Pedagogical Council of the FLUP.