Code: | MSOCI027 | Acronym: | ACULT |
Active? | Yes |
Responsible unit: | Department of Sociology |
Course/CS Responsible: | Masters in Sociology |
Acronym | No. of Students | Study Plan | Curricular Years | Credits UCN | Credits ECTS | Contact hours | Total Time |
---|---|---|---|---|---|---|---|
MSOCI | 34 | MSOCI - Study Plan | 1 | - | 6 | 52 | 162 |
In terms of objectives, to understand the centrality and conflict of the paradigms around which the proposals of cultural animation in contemporary societies are structured; to relate the emergence of such paradigms with broader historical and societal changes; to understand the role of culture and symbolic order in the training processes; to understand the relation between cultural animation and the new social movements.
Students should achieve the following skills: ability to analyze critically sociological theories on the relationship between culture and entertainment; ability to apply knowledge in pluri-institutional contexts and in informal areas; ability to search, select, analyze and produce informatjion; ability to communicate knowledge, both orally and in writing, and capacity for autonomous learning
Not apllicable.
1. Cultural animation: from concept to practice.
1.1. Historical context of its Genesis
1.2. The emergence of leisure, popular education and non-formal education.
1.3 From Democratisation to cultural democracy.
2. Internal conflict
2.1. Different roles of animator.
2.2. Different paradigms of animation.
3.Animation and mediation.
3.1. Genesis of mediation: post-colonial societies.
3.2. Models of relationship with each other.
3.3. From multiculturalism to critical interculturality.
4. Methodologies of animation and mediation
4.1. Non interfering resources.
4.2. Dynamic groups.
4.3. Visual methods: photography and video.
4.4. Dramatization.
4.5. The project work: diagnosis, planning, execution and evaluation.
5. Globalization, institutional logic and logic of the ' lived '.
5.1. The multifaceted combat to social exclusion.
5.2. The involvement of the populations.
5.3. Old, new and brand new social movements.
5.4.The cibercultural animation.
Theoretical-practical classes consist in lectures followed by thematic debate, using audiovisual aids and group dynamic. Tutorial supervision sessions are based on discussion and presentation of texts by groups of students, which are prepared in field work. The evaluation is based in an individual written report on a given topic (intervention in an institution, organization, social movement or community). Similarly, experts are invited to present the intervention
Designation | Weight (%) |
---|---|
Participação presencial | 30,00 |
Trabalho escrito | 70,00 |
Total: | 100,00 |
Designation | Time (hours) |
---|---|
Estudo autónomo | 60,00 |
Frequência das aulas | 54,00 |
Trabalho de investigação | 48,00 |
Total: | 162,00 |
An individual written report on a given topic; work developed in tutorial supervision sessions. Students are required to complete all assessment components, according to student status.
The attendance is not considered as a component of evaluation. The minimum note in each component will be of 10 values. There is a possibility of repeating, in the components in which the student fails (less than 10).
Weighting of each assessment component towards the final mark for the course unit: individual written report (70%); work developed in tutorial supervision sessions (30%).
Students who are legally exempt from class attendance are required to contact the lecturer as soon as classes start in order to establish the corresponding assessment procedures.
Written report mark can be increased.