Code: | EPL027 | Acronym: | LPCONT |
Active? | Yes |
Responsible unit: | Department of Portuguese and Romance Studies |
Course/CS Responsible: | Bachelor in Portuguese Studies |
Acronym | No. of Students | Study Plan | Curricular Years | Credits UCN | Credits ECTS | Contact hours | Total Time |
---|---|---|---|---|---|---|---|
CL | 8 | CL - Study Plan | 1 | - | 6 | - | |
2 | |||||||
EPL | 17 | Study Plan | 3 | - | 6 | - | |
LLC | 14 | Plano Oficial do ano letivo 2013_2014 | 2 | - | 6 | - | |
3 |
To know and discuss the writings of pivotal writers in Portuguese poetry after Modernism; identify and characterise some of the landmark moments in the evolution of contemporary Portuguese literature, considering historical, literary, cultural and aesthetic conditions.
Students will be able to recognise the general evolution of 20th century poetry from the 1940s onwards; to apply basic notions of poetics, literary history and aesthetics; to produce, at analysis and comment level, a critical and reasoned discourse, on the works and themes included in the course program.
1. Poetry and revolution 1.1 Carlos de Oliveira and Neo-Realism 1.2 Mário Cesariny and the Surrealist revolution 2. Innovation and lyrical tradition 2.1 Jorge de Sena: poetry and testimony 2.2 Eugénio de Andrade: subjectivity and the experience of the body 2.3 Sophia Andresen: the names and the things 3. António Ramos Rosa and the poetic word 4. Avantgarde revisited 4.1 Poetry and experimentalism in the 1960s 4.2 Herberto Helder or "the continuous poem"; hybridism in "Os Passos em Volta".
Fields of work: 1. Aesthetic Avantgard and political vanguard; literature and the polymorphism of the concepts of real and of realism; Marxism and Realism (connections and tensions); the Surrealist poetry and the achievement of new dimensions of subjectivity and of the real; relations between ethics and aesthetics. 2. Modernity, Modernism, tradition and innovation; subjectivity and impersonality, ethical and aesthetic commitment; the body-soul vs. the dichotomy body/soul; poetry, accuracy, meaning and reference. 3. Poetry and knowledge; the concept of poetic language; metaphor and meaning; 4. Vanguardism as an aesthetic reference or the impossibility of being repeated; Avantgardism as a “style” (Arthur Danto); traces of the poetry of the 60s; a new discursive consciousness; body and poetic writing.
The teaching methods include lectures and practical classes, these ones oriented to the analysis and review of elements of primary and secondary bibliography. Students have at their disposal various types of work material, accessible on the Documents folder: general and specific bibliographies, several materials designed to provide a more directed study and to support debate the practical classes. In class, several types of digital material (power point, film clips, digitized texts) are used.
Designation | Weight (%) |
---|---|
Exame | 70,00 |
Trabalho escrito | 30,00 |
Total: | 100,00 |
Designation | Time (hours) |
---|---|
Elaboração de relatório/dissertação/tese | 30,00 |
Estudo autónomo | 76,00 |
Frequência das aulas | 56,00 |
Total: | 162,00 |
Attending 75% of classes, except when established otherwise by law.
Reading report - 30%; exam - 70%. Final grade: weighted average of the assessment components.
Not applicable
Not applicable
According to the Assessment Regulations