Resumo (PT):
Abstract (EN):
In Brazil, the decolonial turn has prompted a discursive reconfiguration of art museums over the last decade, primarily through exhibitions driven by critical
and reparative thinking. Consequently, alternative
perspectives have emerged, aiming to propose exhibition narratives rooted in marginalized knowledge and
imaginaries. Focusing on the Museu de Arte do Rio
(Rio Museum of Art) as a privileged place of thought,
this article delves into the curatorial methodologies
employed for two exhibitions: Mulheres na Coleção
MAR and Casa Carioca. These exhibitions have
paved the way for another way of being a museum,
holistically committed to its decolonization. While
the sustainability of the changes brought about by
these exhibitions may be questioned, it is recognized
to acknowledge their role in collaborating to establish
other interpretative frameworks for understanding
local realities, defining as the primary beneficiaries of
this process, not the museums themselves but the communities and individuals who grapple with the daily
impacts of coloniality.
Language:
English
Type (Professor's evaluation):
Scientific
Notes:
Received: 2 October 2023 | Accepted: 26 May 2024
No. of pages:
21