Philosophy I
Keywords |
Classification |
Keyword |
OFICIAL |
Philosophy |
Instance: 2022/2023 - 1S
Cycles of Study/Courses
Acronym |
No. of Students |
Study Plan |
Curricular Years |
Credits UCN |
Credits ECTS |
Contact hours |
Total Time |
MEFILO |
14 |
MEFILO - Study Plan |
1 |
- |
6 |
41 |
162 |
Teaching language
Suitable for English-speaking students
Objectives
The goal of this curricular unit is that students complement and deepen the scientific training acquired in the 1st cycle in light of the Philosophy Program for the 10th and 11th year of secondary education and the future exercise of the teaching profession. The program and teaching are structured so that students can:
1) compare and contrast the main aspects of the most important philosophical theories within different philosophical disciplines
2) develop analytic skills and the ability to identify what elements of these theories should be presented in the class;
3) identify and discuss teaching strategies aiming at promoting a more effective learning.
Learning outcomes and competences
Students should get a basic knowledge of the contents corresponding to different disciplines of philosophy, and the ability to implement this knowledge in philosophy teaching in secondary education.
Working method
Presencial
Pre-requirements (prior knowledge) and co-requirements (common knowledge)
Does not apply
Program
Part I – The singularity of Aesthetics.
- The role of Aesthetics within Philosophy: autonomy or reconciliation?
- The conceptual framework of Aesthetics: aesthetic judgement, aesthetic experience, sentiment of pleasure, disinterestedness, contemplation.
- The distinctive character of the aesthetic judgement: the expression “ohne Begriff”.
- The problem concerning the object of Aesthetics: the sensible knowledge and perception?; the beautiful?; the art?; the corporality?.
Part II – From Aesthetics to Philosophy of Art
- The consideration of Art as a Philosophical object.
- The problem of defining Art: what is Art?
- The philosophical theories devoted to the definition of art.
3.1. Art as Representation (Nelson Goodman)
3.2. Art as Expression (R.G. Collingwood)
3.3. Art as Form (Roger Fry)
3.4. The institutional theory of art (George Dickie)
3.5. The historical theory of art (Jerrold Levinson)
- Who is Marcel Duchamp, «l’homme le plus intelligent du XXe siècle» (according to André Breton) ?
Mandatory literature
AAVV; Arte em Teoria. Uma Antologia de Estética. , Húmus, 2009
Duchamp, Marcel; Engenheiro do Tempo Perdido. Entrevistas com Pierre Cabanne, Assírio & Alvim, 2002
Foster, Hal; Krauss, Rosalind; Bois, Yves-Alain; Buchhold, Benjamin H.D.; Joselit, David; Art Since 1900. Modernism, Antimodernism, Postmodernism, Thames &Hudson, 2011
Kant, Immanuel; Crítica da Faculdade do Juízo, Imprensa Nacional – Casa da Moeda, 1998
Souriau, Étienne; Vocabulaire d’esthétique, PUF, 1990
Walther, Ingo F. ; Arte do Século XX. , Taschen, 2005
Comments from the literature
Additional bibliography will be available in the classes or on Sigarra.
Teaching methods and learning activities
Lectures and frequent use of active teaching methods. Discussion in class of cases and especially relevant examples; practical exercises analysis and comparison of bibliographic materials etc. that can be used by students.
Evaluation Type
Distributed evaluation without final exam
Assessment Components
Designation |
Weight (%) |
Trabalho escrito |
50,00 |
Apresentação/discussão de um trabalho científico |
50,00 |
Total: |
100,00 |
Amount of time allocated to each course unit
Designation |
Time (hours) |
Estudo autónomo |
121,00 |
Frequência das aulas |
41,00 |
Total: |
162,00 |
Eligibility for exams
Attendance of 75% of the classes.
Calculation formula of final grade
Essay (50%) and oral presentation (and discussion) of the contents included in the Essay (50%). The final classification is the average of the two mentioned components.
Examinations or Special Assignments
According to FLUP rules.
Internship work/project
Does not apply
Special assessment (TE, DA, ...)
According to FLUP rules.
Classification improvement
Grade improvement possible for written assignment and oral presentation. Grade improvement modality to be communicated by each teacher during the classes.