Literatura Inglesa I
Ocorrência: 2008/2009 - 1S
Ciclos de Estudo/Cursos
Língua de trabalho
Inglês
Objetivos
One of the most salient features of Early Modern European culture is its reconfiguration of a sense of space and place – in the perception they obtain, as much as in their representations. As a major instance of a mimetic appropriation of human experience through a plurality of semiotic systems reified in the conditions of a space (the stage), the theatre will prove a source of some of the most influential analogies that a reconfigured spatial awareness obtains in the arts.
This course aims to explore some of the implications of that epistemological and cultural shift for drama and the theatre, and in particular for comedy; and it will do so with reference to texts that illustrate the structural and modal diversity to be found in the writing and staging of comedy in the latter 16th and the early 17th century. The study of that diversity will be informed both by theoretical concerns – regarding drama, comedy and satire – and a historical awareness, so as to highlight the major conceptual and contextual determinants of the dramatic corpus under study.
Programa
The course will centre on the study of comedies by William Shakespeare, Ben Jonson, and John Fletcher (see Primary Sources). Their study will be preceded and/or accompanied by a critical consideration of relevant texts for an understanding of the poetics of drama and of the cultural role of the theatre in Early Modern England.
Primary Sources
SHAKESPEARE, William.
The Merchant of Venice
The Tempest
(students will be advised to read these plays in one of the following editions:
GIBBONS, Brian (gen ed.). The New Cambridge Shakespeare. Cambridge: C.U.P.
PROUDFOOT, Richard et al (gen eds.). The Arden Shakespeare. London: Thomson.
SPENCER, T.J.B. (gen ed.). New Penguin Shakespeare. Harmondsworth: Penguin.
WELLS, Stanley (gen ed.). The Oxford Shakespeare. Oxford: O.U.P.)
JONSON, Ben. Three Comedies: Volpone, The Alchemist, Bartholomew Fair, ed. Michael Jamieson. Harmondsworth: Penguin, 1966
FLETCHER, John.
The Sea Voyage.Three Renaissance Travel Plays, ed. Anthony Parr. Manchester: Manchester U.P., 1995.
The Island Princess, ed George Walton Williams, in Fredson Bowers (ed), The Dramatic Works in the Beaumont and Fletcher Canon, vol.V. Cambridge, C.U.P.,1982. pp.539-669.
Secondary Sources
A research bibliography list will be posted at the beginning of the semester; this should help students locate some of the relevant sources in libraries that are available to them.
Métodos de ensino e atividades de aprendizagem
As is to be expected in a graduate seminar, sessions will integrate active teaching contributions from the seminar leader – butstudents will be required to contribute actively and regularly to the seminar. Students will also be expected to carry out research assignments under the teacher's guidance, but geared towards a growing autonomy of their research effort.
Tipo de avaliação
Avaliação distribuída sem exame final
Componentes de Avaliação
Descrição |
Tipo |
Tempo (Horas) |
Peso (%) |
Data Conclusão |
Aulas da disciplina (estimativa) |
Participação presencial |
30,00 |
|
|
Trabalho de Investigação |
Trabalho escrito |
98,50 |
|
2009-01-17 |
|
Total: |
- |
0,00 |
|
Componentes de Ocupação
Descrição |
Tipo |
Tempo (Horas) |
Data Conclusão |
Estudo Orientado |
Estudo autónomo |
20 |
2009-01-17 |
|
Total: |
20,00 |
|
Obtenção de frequência
Elements for Assessment:
1) attendance: a minimum of 75% of all sessions;
2) active participation in class;
3) final oral assessment.
Fórmula de cálculo da classificação final
The final oral assessment will be decisive, but this should adequately reflect the knowledge and skills developed by each student in the course of the semester.
Provas e trabalhos especiais
not applicable
Avaliação especial (TE, DA, ...)
in accordance with general regulations applicable to this degree
Melhoria de classificação
in accordance with general regulations applicable to this degree
Observações
Sessions will be conducted in English