Code: | MEAAM013 | Acronym: | LI1 |
Keywords | |
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Classification | Keyword |
OFICIAL | English Literature |
Active? | Yes |
Responsible unit: | Department of Anglo-American Studies |
Course/CS Responsible: | Masters in Anglo-American Studies |
Acronym | No. of Students | Study Plan | Curricular Years | Credits UCN | Credits ECTS | Contact hours | Total Time |
---|---|---|---|---|---|---|---|
MEAA | 12 | MEAA - Study Plan | 1 | - | 6 | 55 | 162 |
Object and aims: this programme will explore implications for drama and the theatre of the social, economic and epistemological transformations of the Early Modern period. This will be done with reference to texts that illustrate the structural and modal variety of English comedy from the late 16th to the early 17th-centuries. Study of these plays will be supported by theoretical and historical information.
Skills: The programme will foster the students' capacity for reading drama in a critical way. With a view to contributing to a measure of homogeneity in the academic conditions of students from a variety of backgrounds, the programme will include an overview of key concepts in the semiotics of drama – as well as of relevant historical contexts.
Results: by the end of the semester students should have developed the ability to consider Early Modern drama in a critically informed way, and to pronounce on the operative concepts and the contexts approached within the programme.
Love and Greed in Early Modern English Drama
This programme will explore the concomitance of erotic and monetary desire in four Early Modern English plays. Their plots abound in representations of personal aspiration – clearcut instances (no doubt) of individual salience as a defining trait of drama, in its historical and generic delineation; but also manifestations of the new set of social and economic relations that marked the rise of commercial capitalism. The programme will highlight the variety of responses that the age's momentous changes obtain on the Elizabethan and Jacobean stage – through Shakespeare's combination of pathos, romance and hard economics in The Merchant of Venice; Ben Jonson's satirical and allegorical exploration of appetites and illusions in Bartholomew Fair; John Fletcher's dislocation of proto-imperial European endeavours to the antipodes of The Island Princess; and Philip Massinger's ambivalent reflection on power, venality and virtue in The Maid of Honour.
As should be expected from a graduate seminar, sessions will include active input from the seminar leader – but, above all, will rely on regular contributions from the students. Students will therefore be expected to pursue research tasks supervised by the seminar leader, but geared towards a growing autonomy of their research effort.
All activities in this course – teaching, interaction of students and seminar leader, assessment – will be conducted in English.
Designation | Weight (%) |
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Participação presencial | 25,00 |
Prova oral | 75,00 |
Total: | 100,00 |
Designation | Time (hours) |
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Estudo autónomo | 132,00 |
Frequência das aulas | 30,00 |
Total: | 162,00 |