|Responsible unit:||Department of Informatics Engineering|
|Course/CS Responsible:||Master in Multimedia|
|Acronym||No. of Students||Study Plan||Curricular Years||Credits UCN||Credits ECTS||Contact hours||Total Time|
|José Manuel da Silva Fernandes de Carvalho Carneiro||3,00|
- Understanding the visual grammar in photography and in film;
- Analyze the representation space and its meaning from compelling projects in the history of photography and film;
- Purchasing a visual discourse that presents itself as a field of exchange between communication experiences related to the image;
- Mastering visual skills to broaden knowledge capable of stimulating the relationship between photography and cinema.
Acquire theoretical and practical knowledge that enables students to understand the importance of image in projects of the two scientific areas.
Acquire knowledge and skills that relate to the production of still images and moving images. The content structuring that characterizes this course is divided between the exploitation of technological support, inseparable from the image capture, and the methods of research, experimentation and reflection used in the construction of specific projects.
It is intended that students develop projects in visual communication, contextualised by a theoretical and historical background. All students should meet with a public presentation to the class discussion.
|Trabalho de campo||25,00|
|Elaboração de projeto||40,00|
|Frequência das aulas||30,00|
|Trabalho de campo||10,00|
|Trabalho de investigação||10,00|
Project 01 — 20%
Deadline for submission of Project 01 — 5%
Project 02 — 20%
Project completion time 02 — 5%
Project Monitoring — 20%
Attendance, Participation and Presentation — 10%
Scientific Curiosity — 10%
Technological Domain — 10%
Projects that have not been duly followed during the semester will not be evaluated.
Students who do not attend at least 65% of classes will not be evaluated.