Code: | EAMC302 | Acronym: | EAMCII |
Keywords | |
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Classification | Keyword |
OFICIAL | Art Sciences |
Active? | Yes |
Responsible unit: | Ciências da Arte e do Design |
Course/CS Responsible: | Fine Arts |
Acronym | No. of Students | Study Plan | Curricular Years | Credits UCN | Credits ECTS | Contact hours | Total Time |
---|---|---|---|---|---|---|---|
AP | 64 | Plano de estudos de LAP_publicaçao em DR de 24/05/2021 | 3 | - | 6 | 45 | 162 |
Teacher | Responsibility |
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Lúcia Gualdina Marques de Almeida da Silva Matos |
Theoretical classes: | 3,00 |
Type | Teacher | Classes | Hour |
---|---|---|---|
Theoretical classes | Totals | 1 | 3,00 |
Andreia Susana Magalhães Correia | 3,00 |
The unit aims to study and provide understanding of the visual arts in the second half of the 20th century, namely:
Analysis of the work of artists who are at the origin of artistic movements, transformations and ruptures that defined the artistic practices of this historical period; to establish relationships with works and artists that preceded and succeeded them.
Understand and know the materials, processes and practices that led to a change in the forms of production and reception of artistic works, which in turn caused a continuous redefinition of art and its values.
To provide knowledge about the diversity of artistic practices and processes, their relationship and crossing with other artistic domains (inter and multidisciplinary);
Contextualize and relate the works, artists and movements with the artistic system (theory and criticism of art, exhibitions and museums) and its historical moment.
Practices and exercices for understanding and analyzing art works.
Deepen the capacity for analytical, critical and comparative study of art history through exercises in interpreting works and texts by artists and art history / criticism.
Having successfully completed the course, the student is expected to know the artists, movments and artworks that shaped the history of art for the post war period; to be able to identify, relate and contextualize them, identifying the main developments and transformations that occurred in this period and how they fit into the broader framework of art history.
The course examines a variety of artists, movements and art practices from the postwar period until the present, placing them in historical contexts, especially social, political and technological, as well as in the cultural and artistic contexts that surround them and sustain. The history of these developments and artistic transformations is traced through the approach and study of the most recognized artists, movements and exhibitions, as well as of the predominant artistic centers, examined in parallel with movements and artists from more peripheral geographies and divergent artistic approaches. Throughout the program, “the expanded field” focuses on the unprecedented diversity of materials, practices and artistic processes of the second half of the 20th century (body, photography, documentation, film and video, electronic and digital media, political and social actions) , large scale projects), the dissolution of disciplines, the crossing and contamination of visual arts with other arts, such as cinema or dance.
Abstract expressionism and geometric abstraction / neoconcretism; pop art; counterculture and underground movements; minimalism and conceptualism; post-minimalism; procedural art; performance, off-site, site specific, environments and installation, raw art / outsider; photography, film and the projected image; postmodernism.
Classes with oral presenation of contentes with practical moments of analysis of works, bibliography and filmography. The bibliography is presented in Portuguese, but mainly in English (if there is a translation of the bibliography, the texts in Portuguese will be indicated). Mandatory reading and analysis texts in class are identified in previous classes. The program of each class and the specific bibliography are indicated in the respective summary.
NOTE: This course should be understood as a platform for inquiry, debate and awareness. It is moved by the activities and events of the local and international artistic community and whenever possible looks forward to establish direct contact with their protagonists.
Designation | Weight (%) |
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Exame | 100,00 |
Total: | 100,00 |
Designation | Time (hours) |
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Estudo autónomo | 102,00 |
Frequência das aulas | 60,00 |
Total: | 162,00 |