Resumo (PT):
Abstract (EN):
This paper documents an artisanal practice located in Northern Portugal which combines endangered traditional Portuguese crafts such as carpentry, carving, and inlaying, with architecture, art, and design. As a case study, this paper analyses the career and professional practice of Frederico Burmester – carpenter, carver, and sculptor. Burmester works in cabinetmaking and high cabinetmaking, contributing as a trainer/master of this art from his established workshop. He is also dedicated to his independent activity from design to production, conservation, and restoration of objects, furniture, and heritage buildings. Burmester’s activity is informed by continuous learning and training, deeply marked by an artisanal practice and scientific knowledge about raw materials and tools. It is argued that these traditional techniques are in demand by various types of audiences; are being recognized by local urban communities; and are part of a more sustainable concept of living, working, and producing. The methodologies used were a combination of ethnographic interviews, observation, image analysis, and cross-referencing of the data collected with a literature review. The non-participant observation was carried out in the context of a workshop with two groups of professionals from the decorative picture-framing industry. The use of video is to be expected as a tool for the presentation of these findings. Audiovisual data was also recorded, which will culminate in a short documentary film at a later stage.
Type (Professor's evaluation):
Scientific