Graphic Artwork

Code:

OG500

Acronym:

OG

Instance: 2010/2011 - 1S

Active?	Yes
Responsible unit:	Departamento de Pintura
Institution Responsible:	Faculty of Fine Arts

Cycles of Study/Courses

Acronym	No. of Students	Study Plan	Curricular Years	Credits UCN	Credits ECTS	Contact hours	Total Time
DC	13	Licenciatura em Design de Comunicação	3	-	4,5	-
			4

Teaching language

Portuguese

Mandatory literature

Monaco Louis Lo; La^gravure en taille-douce. ISBN: 2-08-011723-8
Gascoigne Bamber; How to identify prints. ISBN: 0-500-23454-X
Dawson John 340; The complete guide to prints and printmaking
Gill Saunders, Rosie Miles; Prints Now: Directions And Definitions, Victoria & Albert Pubns , April 2006
Deborah Wye, Wendy Weitman; 5. Eye on Europe: Prints, Books, and Multiples / 1960 to Now, Museum of Modern Art , October 2006
Kathan Brown ; 7. Ink, Paper, Metal, Wood: Painters and Sculptors at Crown Point Press , Chronicle Books Llc
Lowry & Wye; 9. Thinking Print: Books to Billboards, 1980-95 , Museum of Modern Art
Susan Tallman; 13. Contemporary Print: From Pre-Pop to Postmodern, June 1996
Georges Didi-Huberman, ; L'empreinte , Musee national d'art moderne/Centre de creation industrielle, , January 1997
Fine; Gemini G.E.L.: Art and Collaboration, National Gallery of Art
Paul Gauguin, Deborah Wye, Henri de Toulouse-Latrec, and Pierre Bonnard ; Artists and Prints: Masterworks from the Collection of The Museum of Modern Art , The Museum of Modern Art, April 2, 2004
Marjorie Devon ; Tamarind Techniques for Fine Art Lithography, Abrams, (January 1, 2009
Charles Booth-Clibborn, Etienne Lullin, Florian Simm ; Contemporary Art in Print: The Publications of Charles Booth-Clibborn and His Imprint the Paragon Press 2001-2006 , Booth-Clibborn Editions, 2001
Peter W. Parshall Stacey Sell Judity Brodie Judith Brodie ; Unfinished Print , Lund Humphries Pub Ltd
Landau & Parshall; Renaissance Print: 1470-1550 , Yale Univ Press
Antony Griffiths; Prints and Printmaking: An Introduction to the History and Techniques, Univ of California Pr, 1996
Susan Lambert ; The Image Multiplied , Trefoil Publications Ltd . ISBN: 0862940966
Susan Lambert ; Prints: Art & Techniques , Victoria & Albert Museum . ISBN: 0810965771
Antony Griffiths ; Prints and Printmaking , British Museum Press, 1980

Complementary Bibliography

Donald saff; Printmaking: History and Process, Wadsworth Pub Co , March 1977
Wyckoff & Platzker, ; 3. Hard Pressed: 600 Years of Prints and Process , Hudson Hills
Deborah Wye, Glenn D. Lowry (Other), Jennifer Roberts (Other), Wendy Weitman (Other), Starr Figura (Other), Judith Hecker (Other), Raimond Livasgani (Other), Harper Montgomery (Other), Sarah Suzuki (Other),; 6. Artists & Prints: Masterworks from the Museum of Modern Art, Museum of Modern Art , April 2004
Fine, Nash, Breuer, ; 8. Thirty-Five Years at Crown Point Press: Making Prints, Doing Art , National Gallery of Art & Fine Arts Museums of San Francisco
Wye; 10. Committed to Print: Social and Political Themes in Recent American Printed Art , Museum of Modern Art
Ackley, Havinga; PhotoImage: Printmaking 60s to 90s , Museum of Fine Arts Boston
Gilmour & Arts Council of Great Britain; 14. Mechanised Image: An Historical Perspective on 20th Century Prints
Marjorie Devon ; Tamarind: Forty Years , University of New Mexico Press, February 1, 2000
Marjorie Devon ; Tamarind: Forty Years , University of New Mexico Press, February 1, 2000
Carol Armstrong, Catherine De Zegher ; Ocean Flowers: Impressions from Nature, Princeton Univ Pr , July 2004
Peter Parshall ; The Woodcut in Fifteenth-Century Europe , Yale University Press . ISBN: 0300121636
Frances Carey Antony Griffiths ; Avant-garde British Printmaking, 1914-60 , British Museum Press . ISBN: 0714116467
Antony Griffiths Juliet Wilson-Bareau John Willett ; Disasters of War: Callot, Goya, Dix , University of California Press . ISBN: 1853321699
Powers Alan; Art and print. ISBN: 978-1-85437-721-0
Nicole Malenfant, Richard Ste-Marie; Code of ethics for original printmaking, conseil québécois de l'estampe, 2000

Evaluation Type

Distributed evaluation without final exam