Code: | SMI2 | Acronym: | SMII |
Keywords | |
---|---|
Classification | Keyword |
CNAEF | Fine Arts |
Active? | Yes |
Responsible unit: | Fine Arts Department |
Course/CS Responsible: | Master in Fine Arts |
Acronym | No. of Students | Study Plan | Curricular Years | Credits UCN | Credits ECTS | Contact hours | Total Time |
---|---|---|---|---|---|---|---|
MAP | 34 | Plano de Estudos do MAP_Publicação em DR de 31 de agosto de 2020 | 1 | - | 3 | 24 | 81 |
The curricular unit "Seminars of Research Methodologies II" proposes a meeting with various artistic intensities, insofar as thinking methodologies in the field of art is done in an approximation to the practice. From the discussion on what could be a "practical methodology" and the essay on its various operational modes, it is intended to trigger the invention of a theoretical-practical individual research context.
"Research Methodology Seminars II" seeks, in the same way:
1) find solutions for an interconnection between this UC and the educational path of students in the context of Master. This communication seeks that the final material produced in this course unit, incorporate any reports of the course unit that students have to deliver at the end of the 1st year of the Master;
2) To provide students with a structured document presenting a plastic project and research intentions for the potential creation of an orientation team, scheduled for the beginning of the 2nd year of the Master's program;
3) Create a document that can be used as a starting point for the work to be carried out in the course Unit Study and Research Practices;
4) Learning and consolidation of processes, notions and methodologies, simultaneously incorporating new proposals and maturing the capacity for reflection and artistic-scientific production;
5) Involvement in the production of critical knowledge and creative thinking as a means to reflect and express cultural values;
6) Encourage the consideration and knowledge of creative processes to reframe the understanding of different tools, technologies, theories, concepts and methods.
1- Provisional title;
2- Main research question and subsequent research questions;
3 - Abstract / Abstract (300 words);
4- Introduction;
5- State of the Art (up to 1000 words);
6- Project report (the document on the artistic practice of each student of delivery in the Studio UC;
7- Scheduling;
8- Bibliography (up to 30 references);
9- Attachments.
9. Reveal an ethical conscience around the acts of research and production of scientific and artistic knowledge.
Groys, Boris, “Politics of Installation”, in e-fluxus journal #2: New York, 2009. Harman, Graham, “The Thirth Table”, in 100 Notes - 100 Thoughts / 100 Notizen - 100 Gedanken, Nº 85. Kassel: documenta 13, Ostfildern: Hatje Cantz Verlag, pp. 4-15, 2012.
Sousa, Ernesto, Ernesto de Sousa e a Arte Popular. Em torno da exposição “Barristas e Imaginários”, Nuno Faria (ed.) CIAJG. A Oficina e Sistema Solar (Documenta), 2014.
Suter, Batia. Surface Series, Batia Suter. Roma Publication 160 e Culturgest, 2011.
Tuerlinckx, Joëlle. LEXICON a compendium of terms for Exhibition Matters/Materials by Joëlle Tuerlinckx. WIELS: Centre d'Art Contemporain, Brussels, 2012
The references and materials will be updated and adapted to the development of the UC, mentioned and given in class. This curricular unit will be developed through classes where the materials will be exposed and the tools tested, classes followed by required discussion with the students; sessions with guest artists incident on the direct show of work. Visit to an exhibition. Carrying out a written work on the individual research context to structure the research project.
Designation | Weight (%) |
---|---|
Participação presencial | 40,00 |
Trabalho escrito | 60,00 |
Total: | 100,00 |
Designation | Time (hours) |
---|---|
Frequência das aulas | 50,00 |
Trabalho de campo | 50,00 |
Total: | 100,00 |