Visual Narratives
Keywords |
Classification |
Keyword |
CNAEF |
Design |
Instance: 2019/2020 - 1S
Cycles of Study/Courses
Teaching language
Suitable for English-speaking students
Objectives
Introduction to (audio) visual narratives theory and history. Different methodologies of analysis. Critical and contextualized readings. Creative individual speech.
Learning outcomes and competences
Understand the importance that visual narratives have in the contemporary culture and its possibilities as a comunication device.
Working method
Presencial
Program
Genres and narrative conventions in different cultural and historical contexts. The problem of visual narratives from the perspective of the author and the viewer. Narrative, collective and individual imagery. Adaptation, quote, reference and ownership experience as imagery. The narrative structure - time and sense.
Mandatory literature
AUGÉ, Marc; A guerra dos sonhos. Exercícios de etnoficção, Celta, 1998
AUMONT, Jacques; L'image, Nathan, 1990
AUMONT, Jacques; L' analyse des films, Nathan, 1988
BARTHES, Roland; O óbvio e o obtuso, Edições 70, 1982
BASILICO, Stefano; Cut: Film as Found Object in Contemporary Video, Milwaukee Art Museum, 2005
CARDULLO, Bert; Soundings on Cinema: Speaking to Film and Film Artists, State University of New York Press, 2008
COTTON, Charlotte; The Photograph as Contemporary Art, Thames & Hudson, 2004
GRANT, Barry Keith & SLONIOWSKI, Jeannette; Documenting the documentary: close of documentary film and video., Wayne State University Press, 1998
MANOVICH, Lev; The Language of New Media, MIT Press, 2001
Marie-France Briselance, Jean-Claude Morin; Gramática do Cinema, Texto & Grafia, 2012
RUSH, Michael; New media in late 20th century art, Thames & Hudson, 1999
XAVIER, Ismael; A Experiência do Cinema, Edições Graal, Embrafilmes, 2003
Complementary Bibliography
ABEL, Richard; Encyclopedia of Early Film, Routledge, 2005
ARIJON, Daniel; Grammar of the film language, Silman-James Press, 1976
BAZIN, André et al.; A política dos autores, Assírio & Alvim, 1976
ECO, Umberto; Os limites da interpretação, Difel, 1992
MASCELLI, Joseph; The five Cs of cinematography, Silman-James Press, 1998
REES, A. L.; A history of experimental film and video, BFI Publishing, 1992
RIESER, Martin; The New Screen Media: Cinema/Art/Narrative, BFI Publishing, 2002
STEINER, Georges; As gramáticas da criação, Relógio D’Água, 2001
Teaching methods and learning activities
Lectures and two research papers.
keywords
Humanities > Arts > Fine arts > Plastic arts
Humanities > Arts > Visual arts
Humanities > Arts > Visual arts > Film studies
Evaluation Type
Distributed evaluation without final exam
Assessment Components
Designation |
Weight (%) |
Participação presencial |
30,00 |
Trabalho escrito |
70,00 |
Total: |
100,00 |
Amount of time allocated to each course unit
Designation |
Time (hours) |
Frequência das aulas |
34,00 |
Trabalho escrito |
47,00 |
Total: |
81,00 |
Eligibility for exams
Knowledge acquired, demonstrated and implemented, taking into account its design and adaptation to the specific project context.
Calculation formula of final grade
Estimated average of the two research papers.
Observations
The lectures are given in Portuguese, although sometimes in English. Discussion and follow-up of projects can take place in English and French.