Code: | THCN500 | Acronym: | THCN |
Keywords | |
---|---|
Classification | Keyword |
OFICIAL | Fine Arts |
Active? | Yes |
Responsible unit: | Fine Arts Department |
Course/CS Responsible: | Fine Arts |
Acronym | No. of Students | Study Plan | Curricular Years | Credits UCN | Credits ECTS | Contact hours | Total Time |
---|---|---|---|---|---|---|---|
AP | 11 | Official Study Plan 2011 | 4 | - | 3 | 34 | 81 |
Acquisition of knowledge about history, aesthetics and film theory in the Western context, so the student can develop an informed opinion on the massed languages that use the moving image and other approaches to the same subject matter perspective.
Understanding of how, starting from the theater, cinema and literature, the cinema has forged principles of conceptual organization, own formal.
1 - Nomenclature of cinema and the impression of reality
2 - Archaeology of the cinema: Lumière and Méliès
3 - Motion Picture and
4 - Sound Perception
5 - The French theoretical school and Soviet cinema
6 - Visions of German Expressinonismo: aesthetic, social and political history
7 - The Hollywood cinema: the industrial dimension and large genera
8 - The realist theory: Sigmund Kracauer and André Bazin
9 - The Neorealism Roberto Rossellini and Italian cinema
10 - The Filmmakers-Theory
11 - The Cinema Portuguese: Manoel de Oliveira, António Reis / Margarida Cordeiro, Pedro Costa
Theoretical chair. Classes includes analysis of key theoretical texts and viewing of paradigmatic work in the history of cinema, directly related to the lectured topics.
Designation | Weight (%) |
---|---|
Participação presencial | 25,00 |
Prova oral | 25,00 |
Trabalho escrito | 50,00 |
Total: | 100,00 |
Attendance and participation - 25%
Written work - 50%
Oral exam - 25%