Printmaking II

Code:

TIII211

Acronym:

TIII

Keywords
Classification	Keyword
OFICIAL	Fine Arts

Instance: 2012/2013 - 1S

Active?	Yes
Responsible unit:	Fine Arts Department
Course/CS Responsible:	Fine Arts

Cycles of Study/Courses

Acronym	No. of Students	Study Plan	Curricular Years	Credits UCN	Credits ECTS	Contact hours	Total Time
AP	5	Official Study Plan 2011	3	-	4,5	64	121,5
			4
DC	6	Licenciatura em Design de Comunicação	3	-	4,5	64	121,5
			4

Teaching language

Portuguese

Objectives

In printing techniques II aims to promote and consolidate the processes started on the first level. Appreciates the need to focus in the contemporary  artistic practice of printmaking, sharing space where you can continue to introduce and deepen the technical capabilities and procedures related to the procedures of printing. In more specific terms, students should work on experimental and creative aspects that assist the production of the picture in its various technologies (techniques of relief, intaglio, silkscreen and lithography), investigating and testing ideas and principles, methods and formats, redefining themselves through their practice and especially by broadening their instrumental possibilities.

The consolidation of the practice we mean an always professional approach and informed by long tradition and as such will require that the student has the motivation to work in accordance with the scheduled classroom sessions as well as being responsible for managing the time needed to develop an investigation under demanding nature workshop Atelier / Workshop.

The evidence produced must be performed according to the criteria of quality and presentation to assist the production of graphic work in a professional context and where appropriate work should be edited.

At the end of the semester students present their individual project based on the use of printing techniques before the class, the theoretical context and methodological course underlying the practice of printmaking .

At the end of the course the student will have to be complied with:
- Frequency of demonstrations on techniques and procedures related complementary to initial training
- Production of a portfolio of prints which demonstrate his mastery of the methods introduced and agreement of them with a personal investigation
- Development of an individual project and consistent with the appropriate means, monitored and guided by the teacher responsible for the curricular unit
- Developing skills to work independently or in a collaboration in order to continue its practice of producing and editing work after training

Learning outcomes:
- Acquiring and developing the skills and technical knowledge, conceptual references to the work of editing and production of multiples.
- Identify, develop and consolidate knowledge about the techniques and etching processes best suited to your work
- Learn how to maximize use of available equipment and time in the workshops, participating actively in the environment of sharing and interdependence desirable in printmaking workshop
- Develop skills in editing and production of multiple, presentation and time management, resources and equipment workshops for the implementation of the project personal or collective
- Identify clearly the authors, processes, and issues relevant to their own work

Working method

Presencial

Mandatory literature

Wye Deborah; Committed to print. ISBN: 0-87070-299-8
Landau David; The^Renaissance print. ISBN: 0-300-05739-3
Ross John; The^Complete printmaker. ISBN: 0-02-927372-2
Gascoigne Bamber; How to identify prints. ISBN: 0-500-23454-X
Lambert Susan; The^Image multiplied. ISBN: 0-86294-096-6
Bonfils Robert; Initiation à la gravure
Goetz Henri; Gravure au carborundum
Jorge Alice; Técnicas de gravura artística. ISBN: 972-24-1114-4
Ramos Guadix Juan Carlos; Técnicas aditivas en el grabado contemporáneo. ISBN: 84-338-1624-1
Devon Marjorie; Tamarind techniques for fine art lithography. ISBN: 978-0-8109-7242-1
Monaco Louis Lo; La^gravure en taille-douce. ISBN: 2-08-011723-8
Dawson John 340; The complete guide to prints and printmaking

Complementary Bibliography

Platzker David; Hard pressed. ISBN: 1-55595-193-7
Parshall Peter; The^unfinished print. ISBN: 0-85331-820-4
Ackley Clifford S.; PhotoImage. ISBN: 0-87846-463-8
Powers Alan; Art and print. ISBN: 978-1-85437-721-0
Castleman Riva; Modern art in prints. ISBN: 0-87070-461-3
Morandi Giorgio 040; Oitenta gravuras de Giorgio Morandi
Coldwell Paul; Printmaking. ISBN: 978-1-906155-43-8
Rumpel Heinrich; La gravure sur bois

Evaluation Type

Evaluation with final exam

Assessment Components

Description	Type	Time (hours)	Weight (%)	End date
Attendance (estimated)	Participação presencial	76,00
	Total:	-	0,00