Video II

Code:

VD502

Acronym:

VD 2

Keywords
Classification	Keyword
OFICIAL	Communication Design

Instance: 2011/2012 - 2S

Active?	Yes
Responsible unit:	Design
Course/CS Responsible:	Communication Design

Cycles of Study/Courses

Acronym	No. of Students	Study Plan	Curricular Years	Credits UCN	Credits ECTS	Contact hours	Total Time
DC	39	Licenciatura em Design de Comunicação	3	-	4,5	48	121,5
			4

Teaching language

Portuguese

Objectives

Video II is a practical approach to the audiovisual and contemporary history of cinema and video
It is intended to go deeper on learning technical and audiovisual technology, but also, secondly, to experiment in a broader sense the video and film culture, justifying complementary approaches, particularly in the approach to title credit design, motion graphics and institutional advertising.
The learning practice of film and video covers the three stages that mainly define filmmaking: pre-production, production and post-production.

The student's should prove a creative attitude, critical consciousness of the potential and limits of the media used and the components of the video-cinematography.

Program

Main aspects of audiovisual approach. Video and film defined as a blend of visual, sound and verbal arts. Fiction and documentary
as main perspectives of reality and imaginary approachs.

Main aspects of audiovisual approach. Video and film defined as a blend of visual, sound and verbal arts. Fiction and documentary
as main perspectives of reality and imaginary approachs.

1. Conception and film production
Pre-production, production and post production.
Film writing, film grammar, montage and continuity

2. Technical and technological aspects
Camera work, recording sound, editing video and audio.
Editing as a film narrative technique

3. Analysis of film and video
Shot sequence and the use of color and light in a dramatic sense
Mise-en-scene in space and time
Linear narrative and non-linear narrative, synchronous and asynchronous narrative

4. Film history, documentary and fiction (narrative in time and space)
From classic film to avant-garde film-video: Silent films and classic cinema
Motion Graphics

Evaluation Type

Distributed evaluation without final exam

Assessment Components

Description	Type	Time (hours)	Weight (%)	End date
Attendance (estimated)	Participação presencial	57,00
	Total:	-	0,00

Calculation formula of final grade

Effective participation in individual and team. Production of video and film work.