Audio I
Instance: 2010/2011 - 1S
Cycles of Study/Courses
Teaching language
Portuguese
Mandatory literature
Chion, Michel; Audio-Vision: Sounds on Screen, Columbia University Press, 1994. ISBN: 0-231-07899-4
White, Glenn D.; Louie, Gary J.; The Audio Dictionary, University of Washigton Press, 2005. ISBN: 0-295-98498-8
Wishart, Trevor; On Sonic Art, Routledge, 1996. ISBN: 978-3-7186-5846-6
Kahn, Douglas; Noise, Water, Meat: A History of Sound in the Arts, The MIT Press, 1999. ISBN: 0-262-11243-4
Complementary Bibliography
LaBelle, Brandon; Roden, Steve; Site of Sound: Of Architecture & The Ear, Errant Bodies Press, 2002. ISBN: 0-9655570-2-2
Chion, Michel; The Voice in Cinema, Columbia University Press, 1999. ISBN: 0-231-10823-0
Sloboda, John A.; Generative Processes in Music: The Psychology of Performance, Improvisation and Composition, Oxford University Press, 2000. ISBN: 0-19-850846-8
Addis, Laird; Of Mind & Music, Cornell University Press, 1999. ISBN: 0-8014-3589-7
Manning, Peter; Electronic And Computer Music, Oxford University Press, 2004. ISBN: 0-19-517085-7
Cage, John; Silence: Lectures and writings by John Cage, Wesleyan University Press, 1973. ISBN: 0-8195-6028-6
Kittler, Friedrich A.; Gramophone, Film, Typewriter, Stanford University Press, 1999. ISBN: 0-8047-3232-7
Katz, Bob; Mastering Audio: The Art And The Science, Focal Press, 2002. ISBN: 0-240-80545-3
Prendergast, Mark; The Ambient Century: From Mahler to trance – The evolution of sound in the electronic age, Bloomsbury Publishing, 2000. ISBN: 0-7475-4213-9
Roads, Curtis; Microsound, The MIT Press, 2001. ISBN: 0-262-18215-7
Young, Rob; Undercurrents: The Hidden wiring of Modern Music, Continuum, 2003. ISBN: 0-8264-6450-5
Software
Logic Pro
Audacity
Evaluation Type
Distributed evaluation without final exam
Assessment Components
Description |
Type |
Time (hours) |
Weight (%) |
End date |
Attendance (estimated) |
Participação presencial |
80,00 |
|
|
|
Total: |
- |
0,00 |
|