Code: | NG01 | Acronym: | NG |
Keywords | |
---|---|
Classification | Keyword |
CNAEF | Fine Arts |
Active? | Yes |
Responsible unit: | Desenho |
Course/CS Responsible: | Drawing |
Acronym | No. of Students | Study Plan | Curricular Years | Credits UCN | Credits ECTS | Contact hours | Total Time |
---|---|---|---|---|---|---|---|
LD | 19 | Plano de estudos de LD_publicaçao em DR de 7 de junho de 2022 | 3 | - | 6 | 45 | 162 |
Teacher | Responsibility |
---|---|
Sílvia Patricia Moreno Simões |
Theoretical and practical : | 3,00 |
Type | Teacher | Classes | Hour |
---|---|---|---|
Theoretical and practical | Totals | 1 | 3,00 |
Daniel José Silvestre Faria da Silva | 3,00 |
To know relevant works from the history of comics, precursors of the contemporary graphic novel;
Understand the emergence of the graphic novel as a genre, recognizing its expressive, narrative and communicative potentialities;
Recognize the specific vocabulary of comics, and its graphic and literary potential;
Develop strategies leading to the conceptual and technical mastery of the Graphic Novel;
Mobilize graphic and linguistic skills in the qualification of the narrative experience;
Optimize the use of multimodal writing as an instrument of expression, communication and invention to aid and complement the graphic language;
Know different design methodology in the exploration of analog and digital methods and processes of drawing and graphic ideation;
Develop methodologies and processes of narrative creation (writing, contextual documentation, planning, graphic development), identifying problems and speeding up solutions.Graphic Novel as a literary genre/comics sub-genre and the historical and cultural context from its origins to the present.
The vocabulary of comics; the spatio-topic system: vignette, strip, page, grid, margin, speech bubble, page composition; the representation of space and time in comics: mise-en-page and reading rhythms; analogies between the language of cinema and composition in comics (scale, format, tension).
Iconic-verbal discourse: transitions and montage; rhetorical resources; transtextuality; Functions and relationships between text and image (redundancy, consonance and dissonance); transtextuality.
Gender: the notebook as an instrument and as a literary genre; Storytelling, life stories, biography, autobiography, autofiction; fiction and non-fiction.
Porjectual methodology: documentation and contextual research; graphic reportage and the experience of place; script and storyboard; Drawing reportage; graphic resources; montage.Masterclasses based on demonstrations and explanation of concepts;
Exemplification, using reference works and authors;
Searching, organizing data in the archive and applying information;
Field work in gathering information through graphic, photographic and videographic records;
Study visits and contact with authors/professionals;
Laboratory, exploratory and experimental practice in questioning and testing hypotheses;
Design practice in the strategic development of means to solve problems;
Tutorial guidance and feed-back of students' work;
Distributed assessment.
Designation | Weight (%) |
---|---|
Participação presencial | 5,00 |
Trabalho laboratorial | 20,00 |
Trabalho prático ou de projeto | 75,00 |
Total: | 100,00 |
Designation | Time (hours) |
---|---|
Estudo autónomo | 40,00 |
Frequência das aulas | 50,00 |
Trabalho laboratorial | 72,00 |
Total: | 162,00 |