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Painting Practices

Code: PP500     Acronym: PP

Instance: 2012/2013 - 1S

Active? Yes
Responsible unit: Fine Arts Department
Course/CS Responsible: Fine Arts

Cycles of Study/Courses

Acronym No. of Students Study Plan Curricular Years Credits UCN Credits ECTS Contact hours Total Time
AP 32 Official Study Plan 2011 3 - 4,5 64 121,5
4

Teaching language

Portuguese

Objectives

Providing new opportunities and advice within the practice of painting for students of several years, who wish to enlarge their experience and knowledge in some technologies in the process of painting.
It is intended as a privileged space for experimentation of theory vs practice, research, and resolution of technical problems that may arise from the intrinsic duality between process / project, in order to build a solid base of knowledge on various techniques and materials, under the practice of painting, which facilitates the students with tools for a consistent and objective reflection and in choosing the right practical methodologies for the development of a pictorial project.

Program

Since this is a curricular unit open to students from three years and different classes curriculum, the program will be individualized taking into account the specificity of each student, consisting however, within the general scope, the deepening of knowledge and experimentation plastic, the level of various techniques in the field of painting.
In this course, will be given to each student to choose the option to choose the development of monitoring exercises / complement the construction of your individual project within the course of Atelier II or Project, or the choice of exercises scheduled about specific technologies for the development of technical capabilities of the various application / use / maintenance as thorough as possible to the materials in question.

Example of some possible techniques to develop the first semester: watercolor, gouache, and acrylic - each having a theoretical approach on the supports / surfaces, composition, pigments, solvents and additives that are characteristic of each technique.
Example of some possible techniques to develop in the second semester, dry pastel, oil pastel, oil - also receiving parallel each on a theoretical approach supports / surfaces, composition, pigments, solvents and additives that are characteristic of each technique.

Complementary Bibliography

Bell Julian; What is painting ?. ISBN: 0-500-28101-7
Harrison Charles; Conceptual art and painting. ISBN: 0-262-08302-7 50.53
Mayer Ralph; The^artist.s handbook of materials and techniques. ISBN: 0-571-11693-0
Mayer Ralph; Materiales y técnicas del arte. ISBN: 84-87756-17-4
Puttfarfen Thomas; The^discovery of pictoral composition. ISBN: 0-300-08156-1
Richter Gerhard; The daily practice of painting. ISBN: 0-500-27836-9
Ray Smith; Manual Prático do Artista, Civilização Editores, 2006. ISBN: 989-550-125-0
Betty Edwards; Color - a course in mastering the art of mixing colours, Penguin Group, 2004
Harrison Charles 340; Art & language in practice. ISBN: 84-88786-44-1 26.90

Teaching methods and learning activities


It is made by the teacher an individual accompaniment during the class period, or in the additional period of service. The minimum frequency and dialogue are essential, registering on individual records the moments of contact, suggestions and evolution of major work.
Will be reviewed and discussed the purpose of each student at the beginning and during the work.
There will also be a point of situation and analysis at the end of each semester.

Evaluation Type

Distributed evaluation without final exam

Eligibility for exams


In the evaluation is taken into account attendance and quality participation.
It is mandatory to comply with a minimum of 75% of classes.
It is essential the students' work being made in the atelier at the College, both during and outside of the class period.

IMPORTANT NOTE:
The assessment is continuous, and as such will not be admitted to the Final Assessment the student who has not developed any contact with the teacher.

Calculation formula of final grade

Attendance at work and persistence, technical, inventive and cultural demonstrated by each student, and capabilities of self-criticism and criticism. In the case of one course open to students from three different years, is considered the situation of each student, not only as individual case, but also with reference to the experiences and levels of learning evident and traceable. The importance of each of the different factors listed above, varies in each case. Of course, this is an evaluative activity which is not devoid of subjective elements. However, in the final evaluation will be accountable the following items:
Attendance - 15%
Participation / motivation - 10%
Critical sense - 10%

Project Option -
Research and reasons - 5%
Plastic qualities: performance, creativity, originality - 25%
Evolution - 15%
Development and delivery - 10%
Amount of work - 10%

Option techniques -
Plastic qualities:
Execution - 25%
Creativity - 5%
Evolution - 15%
Exercises performed - 10%
Working overtime - 10%

Reiterates that it is vital the work of students being made in the workshop at the College during and outside the class period.
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