Code: | LA01 | Acronym: | LA |
Keywords | |
---|---|
Classification | Keyword |
CNAEF | Design |
Active? | Yes |
Responsible unit: | Design |
Course/CS Responsible: | Communication Design |
Acronym | No. of Students | Study Plan | Curricular Years | Credits UCN | Credits ECTS | Contact hours | Total Time |
---|---|---|---|---|---|---|---|
AP | 17 | Plano de estudos de LAP_publicaçao em DR de 24/05/2021 | 3 | - | 6 | 45 | 162 |
4 | |||||||
DC | 0 | Plano de estudos de LDC_publicaçao em DR de 24/05/2022 | 3 | - | 6 | 45 | 162 |
4 |
Animation practice deepening within the scope of conventional or experimental animation. Introduction to the basic rules of a animation film project: script, narrative, imaginary, characters and animated expression. Going through the three essential phases that characterize animation filmmaking: pre-production, production and post-production. Professional and artistic work contexts approaches, in the production of story-boards, animatics, character design, art direction and production maps. The student's should prove a creative attitude, critical consciousness of the potential and limits of the media used and the components of video-cinematography in animation expression. Animation being a collective work with a common objective, teamwork is encouraged and therefore the distribution of tasks; at the same time the sharing of efforts and individual creativity.
Be able to understand and work though the three key stages of animation production: pre-production, production and direction, and post-production.
Several animation applications will be covered: author films, experimental animation, animation series, special effects, title credits, institutional ads, documentary. Project development emphasizing the production and post-production \ digital edition. The student will experience fundamental aspects in animation filmmaking: 1. Duration, movement, time and metamorphosis. 2. Technical and technological issues. Shooting in stop motion or frame by frame. Record and editing of video and audio. 3. Analysis of video and cinema. Metamorphosis. The shot and continuity. Set design and lighting. Montage. Narrative structure (parallel, mosaic, linear and non-linear, synchronous and asynchronous). 4. Introduction to animation history. Viewing and analysis of different animation film techniques. The experience of the image-movement and the experience of the image-time. The visual narrative, filmic imagery and animated expression.
Lectures deepening animation film language and history. Practice classes in which an author animation project is developed, and film production techniques are developed, namely: filming, film writing, editing, directing and production.
Designation | Weight (%) |
---|---|
Participação presencial | 30,00 |
Trabalho laboratorial | 70,00 |
Total: | 100,00 |
Designation | Time (hours) |
---|---|
Elaboração de projeto | 60,00 |
Frequência das aulas | 45,00 |
Trabalho laboratorial | 57,00 |
Total: | 162,00 |
Effective participation in individual work and team work. Production of the project.
Estimated average of all work undertaken. Effective participation.