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Relational Designs in Literature and the Arts: Page and Stage, Canvas and Screen. Amsterdam and New York, NY: Rodopi, 2012

Title
Relational Designs in Literature and the Arts: Page and Stage, Canvas and Screen. Amsterdam and New York, NY: Rodopi, 2012
Type
Book
Year
2012
Authors
Rui Carvalho Homem
(Organiser)
FLUP
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Publisher
Amsterdam and New York
Scientific classification
FOS: Humanities
CORDIS: Humanities > Literature
Other information
Resumo (PT): This collection focuses on texts that address the other arts - from painting to photography, from the stage to the screen, and from avant-garde experiments to mass culture. Despite their diversity of object and approach, the essays in Relational Designs coalesce around the argument that representations are defined by relations and dynamics, rather than intrinsic features. This rationale is supported by the discourses and methodologies favoured by the book's contributors: their approaches offer a cross section of the intellectual and critical environment of our time. The book illustrates the critical possibilities that derive from the broad range of modes of inquiry - poststructuralist criticism, gender studies, postcolonial studies, new historicism - that the book's four sections bring to bear on a wealth of intermedial practices. But Relational Designs compounds such critical emphases with the voice of the practitioner: the book is rounded off by an interview in which a contemporary novelist discusses her attraction to the other arts in terms that extend the book's insights and bridge the gap between academic discourse and artistic practice.
Abstract (EN): This collection focuses on texts that address the other arts - from painting to photography, from the stage to the screen, and from avant-garde experiments to mass culture. Despite their diversity of object and approach, the essays in Relational Designs coalesce around the argument that representations are defined by relations and dynamics, rather than intrinsic features. This rationale is supported by the discourses and methodologies favoured by the book's contributors: their approaches offer a cross section of the intellectual and critical environment of our time. The book illustrates the critical possibilities that derive from the broad range of modes of inquiry - poststructuralist criticism, gender studies, postcolonial studies, new historicism - that the book's four sections bring to bear on a wealth of intermedial practices. But Relational Designs compounds such critical emphases with the voice of the practitioner: the book is rounded off by an interview in which a contemporary novelist discusses her attraction to the other arts in terms that extend the book's insights and bridge the gap between academic discourse and artistic practice.
Language: English
Type (Professor's evaluation): Scientific
No. of pages: 424
ISBN: 9789042035812
Collection: IFAVL
Vol.: 158
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