Communication Semiotics
Instance: 2012/2013 - 1S
Cycles of Study/Courses
Teaching language
Portuguese
Objectives
- Master the key-concepts.
- Semiotic analysis of mass media, with particular emphasis on the non-verbal elements, the cinema, journalism, propaganda and publicity – (dis)assembly of messages.
- Search for new languages.
- Develop a critical reading of the mass media.
Program
I – METHODOLOGICAL ISSUES
II – BACKGROUND OF SEMIOTICS
III – DIMENSIONS AND LEVELS OF SEMIOTICS
a) Syntactic axis
b) Semantic axis
c) Pragmatic axis
d) Symbolism
e) Myth
IV – SEMIOTIC ANALYSIS
a) Discourse analysis
b) Semiotics and journalism
b)1) Semiotics and photojournalism
c) Analysis of fiction programmes
d) Semiotics and the cinema
e) Semiotics of cyberspace
V – SEMIOTIC MARKETING
a) Semiotic composition of the brand
b) Semiotics and publicity
VI – POLITICA SEMIOTICS
a) Semiotics at the service of power
b) Semiotic guerrilla
VII – CRITICAL READING OF THE MASS MEDIA
a) The Semiotics expert as Ombudsman
Mandatory literature
BARTHES, Roland; Mitologias, Círculo de Leitores, 1987
CORNU, Geneviève; SEMIOLOGIE DE L'IMAGE DANS LA PUBLICITE , LES EDITIONS D'ORGANISATION, 1990
ECO, Umberto; O SIGNO, EDITORIAL PRESENÇA, s. / d.
FARINA, Modesto; PSICODINÂMICA DAS CORES EM COMUNICAÇÃO, EDITORA EDGARD BLÜCHER , 1986
LAVRADOR, F. Gonçalves; ESTUDOS DE SEMIÓTICA FÍLMICA. Introdução Geral e Prolegómenos, EDIÇÕES AFRONTAMENTO, 1984
MARINHO, Jorge; ACÇÃO PSICOLÓGICA ATRAVÉS DOS MASS MEDIA: (DES)MONTAGEM DE UM PROCESSO DE COMUNICAÇÃO ENCOBERTA DIRIGIDA ESPECIALMENTE A UM RECEPTOR – Perspectivas Semiótica, Psicossociológica, Ético-Deontológica e Jurídica, FACULTADE DE CIENCIAS DA COMUNICACIÓN / UNIVERSIDADE DE SANTIAGO DE COMPOSTELA (tese de Doutoramento), 2001
Marinho, Jorge; FOTOJORNALISMO À LUZ DA SEMIÓTICA, Club de Prensa de Ferrol, 2006
MORAN, José Manuel; COMO VER TELEVISÃO. LEITURA CRÍTICA DOS MEIOS DE COMUNICAÇÃO, EDIÇÕES PAULINAS, 1991
PIGNATARI, Décio; Informação, Linguagem, Comunicação, Editora Cultrix, 1981
TRABANT, Jürgen; ELEMENTOS DE SEMIÓTICA, EDITORIAL PRESENÇA, s. / d.
“Revista de comunicação e linguagens”, Maio de 2001
WEYERGANS, Franz; TU E O CINEMA, LIVRARIA CIVILIZAÇÃO, 1976
van DIJK, Teun A.; La Noticia Como Discurso, Ediciones Paidós, 1990
http://time-binding.org/
http://www.semioticamassmedia.com/Principal.htm
http://www.semioticapolitica.com/marco con.htm
Teaching methods and learning activities
A combination of several methods: verbal (saying), intuitive (showing) and active (doing). Students are reminded that, as far as practicable, classes will be interactive.
Evaluation Type
Distributed evaluation with final exam
Assessment Components
| Description |
Type |
Time (hours) |
Weight (%) |
End date |
| Attendance (estimated) |
Participação presencial |
52,00 |
|
|
| Test / Exam |
Exame |
1,00 |
|
|
| Assignment |
Trabalho escrito |
23,00 |
|
|
| Examination preparation / study |
Exame |
59,00 |
|
|
|
Total: |
- |
0,00 |
|
Eligibility for exams
In accordance with the Assessment Regulations of the Faculty of Arts of the University of Porto (applicable to 1st cycle courses - Licenciatura)
Calculation formula of final grade
Oral participation - 25 %
Assignment - 35 %
Final exam - 40 %
*
Examinations or Special Assignments
In accordance with the Assessment Regulations of the Faculty of Arts of the University of Porto (applicable to 1st cycle courses - Licenciatura)
Special assessment (TE, DA, ...)
In accordance with the Assessment Regulations of the Faculty of Arts of the University of Porto (applicable to 1st cycle courses - Licenciatura)
Classification improvement
In accordance with the Assessment Regulations of the Faculty of Arts of the University of Porto (applicable to 1st cycle courses - Licenciatura)
Observations
Calculation of final grade
- repeaters
- working students - if they don’t attend 75 % of classes
assignment - 40 %
final exam - 60 %
Among other assessment elements, all students, including working students and repeaters, must also do an assignment, in 2012-2013. In each class, students must form groups with about eight members.