Resumo (PT):
The purpose of this chapter is to explore links between psychoanalysis and crime fi ction, in literature
and in fi lm. In order to do this, I will look at a case study: Dennis Potter’s TV serial The Singing
Detective (1986), directed by Jon Amiel. My main argument is that Potter’s work is nearly
encyclopedic in the way it engages with different traditions of crime fi ction and psychoanalytic
thought. The relative lack of recent studies on Potter, especially from a comparative approach,
motivate to an extent the need to revisit his work, but his complex interweaving of psychoanalytic
concepts and crime fi ction tropes also allows for a reconsideration of the fruitful criticism that has
been pursued in this interdisciplinary fi eld during the twentieth century and up to the present day.
In this respect, my fi rst purpose is to reassess on how different critics engaged with Potter’s
exploration of psychoanalytic themes as a way to refl ect on wider debates on the relationship
between psychoanalysis and crime fi ction. This will take the form of laying the groundwork for
future readings that may be pursued regarding The Singing Detective. (...)
Abstract (EN):
Language:
English
Type (Professor's evaluation):
Scientific