Resumo (PT):
Abstract (EN):
The first fanzines, ‘home-made objects’ - produced individually
or collectively, and with a limited circulation – against alternative stories,
appeared in the 1920s-30s and were associated with science fiction fans;
later, during the 1950s-60s, band and music fanzines became increasingly
popular. However, the production, distribution and consumption of fanzines
gained global relevance with the emergence of the punk phenomenon in the
UK and the US during the 1970-80s, assuming itself as an area of freedom of
thought and do-it-yourself (DIY) creation, and as an alternative to conventional media. In this article, we address and analyze Portuguese feminist
fanzines as invisible storytellers of women in contemporaneity, namely in the
denunciation of male and patriarchal dynamics of symbolic domination, i.e,
as a form of alternative history. Through that analysis we are able to identify
key aspects and moments where this invisibility could have been addressed
and the attitude of the status quo regarding these fanzines could have become
positive. This identification provides the data for an analytical construction
of an Alternative Chronology regarding the Portuguese feminist fanzine
path, and through such lenses more insight regarding past and present prejudice against de DIY artistry is achieved.
Language:
English
Type (Professor's evaluation):
Scientific