Abstract (EN):
This article explores the modalities of involvement of young people in underground
punk music scenes, as they forge do-it-yourself (DIY) careers through applying
skills in production, promotion, composition and performance, acquired through
long-term immersion in these scenes. In each such career, we can see an illustration
of how youth culture can be seen as a platform through which young people
acquire practical skills and competence in an era of risk, uncertainty and precarious
living. Working with a corpus of over 200 interviews, we propose an analysis of the
representations of Portuguese punk scene members with regard to the DIY experience,
demonstrating and specifying scene knowledge, networks and skills, which are
crucial to the location of these subcultural entrepreneurs in the larger labour market.
We will also attempt to demonstrate the importance of DIY ethics, aesthetics and
praxis in the constitution and dynamics of the Portuguese punk scene from the late
1970s until today, highlighting its role in the lives of the participants. Moreover, we
will look at DIY as an expression of the symbolic capital of punk, enabling careers,
pathways, trajectories and roles, as well as functioning as a specific (sub-)cultural
capital present in most underground musical events, and with particular intensity in
the case of punk. Finally, the feud between the mainstream and the underground is a key issue in the discussion of the DIY ethos, taking us into the core of the question
of authenticity.
Language:
English
Type (Professor's evaluation):
Scientific