Go to:
Logótipo
Comuta visibilidade da coluna esquerda
Você está em: Start > PP503

Práticas da Performance

Code: PP503     Acronym: PP

Keywords
Classification Keyword
OFICIAL Fine Arts

Instance: 2019/2020 - 1S

Active? Yes
Responsible unit: Fine Arts Department
Course/CS Responsible: Fine Arts

Cycles of Study/Courses

Acronym No. of Students Study Plan Curricular Years Credits UCN Credits ECTS Contact hours Total Time
AP 21 Official Study Plan 2011 3 - 4,5 64 121,5
4

Teaching Staff - Responsibilities

Teacher Responsibility
Fernando Manuel Amaral da Cunha

Teaching - Hours

Theoretical and practical : 4,00
Type Teacher Classes Hour
Theoretical and practical Totals 1 4,00
Rita Azevedo Castro Neves 4,00

Teaching language

Suitable for English-speaking students

Objectives

.

Learning outcomes and competences

.

Working method

Presencial

Pre-requirements (prior knowledge) and co-requirements (common knowledge)

.

Program

.

Mandatory literature

Roselee Goldberg; A^Arte da performance. ISBN: 978-989-95565-0-8
Ana Mendieta; Ana Mendieta. ISBN: 84-453-1756-3
Helena Almeida; Helena Almeida. ISBN: 972-739-047-1
Schneider Rebecca; Performing Remains: Art and War in Times of Theatrical Reenactment, Routledge, 2011

Complementary Bibliography

Allan Kaprow; Essays on the blurring of art and life. ISBN: 0-520-20562-6
Roselee Goldberg; Performances. ISBN: 2-87811-168-0
Claire Bishop; Participation. ISBN: 978-0-85488-147-5
Schneider Rebecca; The explicit body in performance, Routledge, 1997
Of the Presence of the Body: Essays on dance and Performance ; Lepecki André (ed.), Wesleyan University Press, 2004
Schechner Richard; Performance Studies: An Introduction, Routledge, 2003
Schimmel Paul ; Out of actions, between performance and the object, 1949-1979, Thames and Hudson, 1998
O’Doherty Brian; Inside the white cube: the ideology of the gallery space, University of California Press, 1986
Bishop Claire; Artificial Hells: Participatory Art and the Politics of Spectatorship, Verso, 2012
Bishop Claire; Installation Art. A Critical History, Tate Publishing, 2005
Jones Amelia; Body Art: Performing the Subject, University of Minnesota Press, 1998
Ingold Tim; Being alive: essays on movement, knowledge and description, Routledge, 2011
Phelan Peggy; Unmarked. The politics of performance, Routledge, 1996
Rudolf Frieling; The^art of participation. ISBN: 978-0-500-23858-5
Fischer-Lichte Erika; The Routledge Introduction to Theatre and Performance Studies, Routledge, 2014
Heathfield Adrian ; Live. Art and Performance, Tate Publishing, 2004

Teaching methods and learning activities

.

Evaluation Type

Distributed evaluation without final exam

Assessment Components

Designation Weight (%)
Participação presencial 20,00
Trabalho prático ou de projeto 80,00
Total: 100,00

Amount of time allocated to each course unit

Designation Time (hours)
Elaboração de projeto
Estudo autónomo
Frequência das aulas
Trabalho laboratorial
Total: 0,00

Eligibility for exams

Ther eis no final exam.

Calculation formula of final grade

.
Recommend this page Top
Copyright 1996-2024 © Faculdade de Belas Artes da Universidade do Porto  I Terms and Conditions  I Acessibility  I Index A-Z  I Guest Book
Page created on: 2024-04-25 at 00:18:13 | Acceptable Use Policy | Data Protection Policy | Complaint Portal