Sound Art
Keywords |
Classification |
Keyword |
OFICIAL |
Fine Arts |
Instance: 2019/2020 - 1S
Cycles of Study/Courses
Acronym |
No. of Students |
Study Plan |
Curricular Years |
Credits UCN |
Credits ECTS |
Contact hours |
Total Time |
AP |
15 |
Official Study Plan 2011 |
3 |
- |
4,5 |
64 |
121,5 |
4 |
Teaching Staff - Responsibilities
Teaching language
Suitable for English-speaking students
Objectives
• Develop technological expertise, historical, theoretical and practical on the Sound in Arts.
• Encourage a critical and reflective, promoting habits of argument and discussion of projects.
• Understand the specific aggregate to Sound Art and adjust multiple available media resources and to develop projects in this area.
• Design and develop Sound Art work, valuing methodologies and experimentation.
Learning outcomes and competences
• As a result of learning, project-based so developed over the semester, it is intended that students acquire skills in sound art, knowledge integration, project management, content production adjusted to the proposed project work.
Working method
Presencial
Program
• Sound Art aims to develop and consolidate the knowledge acquired in the discipline Audio continue learning theoretical and technical language specific sound in plastic production, with special emphasis on application of knowledge in the development of a working draft of Sound Art. Develop a sound art project bearing in mind the plasticity of sound.
Mandatory literature
Landy Leigh;
Understanding the art of sound organization. ISBN: 978-0-262-12292-4
EVENS, Aden; Sound Ideas, University of Minnesota Press. ISBN: 0-8166-4537-X
LICHT, Alan; Sound Art, Rizzoli, 2007. ISBN: 978-0-8478-2969-9
Chion Michel;
L. audio-vision. ISBN: 2-09-190704-9
Bosseur Jean-Yves;
Sound and visual arts. ISBN: 2-906571-26-1
Teaching methods and learning activities
• The course will develop according to a theoretical-practical classes will alternate monitoring and discussion of the project to develop throughout the semester, with classes in presentation / seminar guest artists.
Evaluation Type
Distributed evaluation without final exam
Assessment Components
Designation |
Weight (%) |
Participação presencial |
50,00 |
Trabalho de campo |
20,00 |
Trabalho laboratorial |
30,00 |
Total: |
100,00 |
Amount of time allocated to each course unit
Designation |
Time (hours) |
Frequência das aulas |
0,00 |
Trabalho de campo |
0,00 |
Trabalho laboratorial |
0,00 |
Total: |
0,00 |
Eligibility for exams
The students evaluation is based on the development of the creative research project, in a continuous way, in the class; on the participation in colective discussions around their own work and their colleagues' work; on the final presentation of the work and critical written report.
Calculation formula of final grade
• The student will develop an individual project throughout the semester, which will be accounted for the content of the proposal, its practical application and its defense. The continuous assessment will be required to comply with a minimum of 50% of classes.