|Course/CS Responsible:||Master in Image Design|
|Acronym||No. of Students||Study Plan||Curricular Years||Credits UCN||Credits ECTS||Contact hours||Total Time|
|MDI||19||Plano Oficial 2011||1||-||6||45||162|
|Júlio Fernando Dolbeth e Costa Henriques da Silva|
Introduction to (audio) visual narratives theory and history.
Motivate different methods of analysis. Accentuate a critical and contextualized reading. Statement of an individual and creative discourse.
Understand the importance that visual narratives have in the contemporary culture and its possibilities as a comunication device.
Forms and structures of visual storytelling.
Generic conventions in cultural context and diverse history.
Narrative theory and film history.
Illustrated narrative and sequential image as context, metaphor, identity and fiction.
Reference, appropriation, citation and adaptation as imaginary experience, collective and individual.
Time and direction in the narrative process.
Lectures and two research pprojects.
Acquired knowledge, demonstrated and implemented to work with regard to its design, implementation and suitability for solving specific problems of the projects.
Effective participation in the working group and autonomy in research.
Estimated average of the two research projects.
AUGÉ, Marc; A guerra dos sonhos. Exercícios de etnoficção, Celta, 1998
AUMONT, Jacques; L'image, Nathan, 1990
AUMONT, Jacques; L' analyse des films, Nathan, 1988
BARTHES, Roland; O óbvio e o obtuso, Edições 70, 1982
BASILICO, Stefano; Cut: Film as Found Object in Contemporary Video, Milwaukee Art Museum, 2005
CARDULLO, Bert; Soundings on Cinema: Speaking to Film and Film Artists, State University of New York Press, 2008
COTTON, Charlotte; The Photograph as Contemporary Art, Thames & Hudson, 2004
GRANT, Barry Keith & SLONIOWSKI, Jeannette; Documenting the documentary: close of documentary film and video., Wayne State University Press, 1998
MANOVICH, Lev; The Language of New Media, MIT Press, 2001
RUSH, Michael; New media in late 20th century art, Thames & Hudson, 1999
XAVIER, Ismael; A Experiência do Cinema, Edições Graal, Embrafilmes, 2003
ZEEGEN, Lawrence – The Fundamentals of Illustration – Fairchild Books AVA, 2012.
MALE, Alan – Illustration: A Theoretical and Contextual Perspective: A Theoretical & Contextual Perspective – Fairchild Books AVA, 2007.
HELLER, Steven; CHWAST – Illustration: A Visual History – Abrams, 2008.
ABEL, Richard; Encyclopedia of Early Film, Routledge, 2005
ARIJON, Daniel; Grammar of the film language, Silman-James Press, 1976
BAZIN, André et al.; A política dos autores, Assírio & Alvim, 1976
ECO, Umberto; Os limites da interpretação, Difel, 1992
MASCELLI, Joseph; The five Cs of cinematography, Silman-James Press, 1998
REES, A. L.; A history of experimental film and video, BFI Publishing, 1992
RIESER, Martin; The New Screen Media: Cinema/Art/Narrative, BFI Publishing, 2002
STEINER, Georges; As gramáticas da criação, Relógio D’Água, 2001